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| HOW TO GET AN AGENT: Basic Tips for Actors. |
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HOW TO GET AN AGENT: Basic Tips for Actors. feature films. Pay particular attention to this fact when sending out your material. And don?t feel bad if you are told you?re not the right type. Many of these agencies work with major studios that call for a particular look. Low and behold you may not have that look of the moment. This doesn?t mean that you should go out and get plastic surgery but rather find another agent who is handling your look. Trust me there are many that do.
Whatever happens don?t give up. Since agents are people too you must also understand that there are good and bad ones. I?ve personally come across a couple who are horrible and you?d be better off going it alone. On the other hand there are many who can get you in the door if you manage to get their attention. Industry networking events and parties are a great way to come in contact with them. If you have a talent for networking then I would suggest booking your schedule with as many of these functions as possible. The Internet has really been a boom for actors and you should find a wealth of networking events in your local area on line. If you apply just these few tips and don?t become discouraged I?m sure you?ll meet with much success!
For the latest industry information visit us at http://www.rkacinemasociety.com
About The Author
RONALD K. ARMSTRONG
Writer/Director
Ronald K. Armstrong has been an author and screenwriter for over fifteen years. His credits include a wide variety of screenplays and books ranging in genres and subject matters. He began his film studies at the high school of Art and Design. Afterwards he went on to study film at Purchase Film School. Frustrated by the lack of attention paid to true art he left school to start the country's largest minority film organization the RKA Cinema Society.
Given the fact that the industry has demonstrated a level of inequality the RKA Cinema Society aggressively campaigns against racism, sexism, and issues of censorship while serving to protect and preserve the sovereign right of all artists. Because of this the organization is vehemently opposed to the wide spread practice of corporate monopolies and advertising dollars dictating artistic vision. It was during his operation of the organization that he produced two books: The Science of Acting and The Black Filmmaker?s Guide to the 21 Century. These books set new paradigms in thought for young artists. His previous screenplays include Alter Ego and Lost in Time.
In 1990 Mr. Armstrong wrote and directed Cuny Island, a short sci-fiction thriller dealing with racism on an interplanetary scale. The film went on to take second place in the Black American Cinema Society Grant Project. He was also featured on several television programs for his accomplishments. In 1996 he took things a step further by writing and producing his first feature length motion picture entitled Bugged. The film was produced in conjunction with Troma Studios and made its world premiere at the Cannes International Film Festival along with showing at the Prince Charles Theater in England. The film gained world attention propelling Mr. Armstrong into the light appearing on such stations as the BET, BBC and CNN.
Each screenplay is a work of passion and a spiritual journey for Mr. Armstrong. Through the medium of the thriller genre he challenges the conventional Western thought process and the template of modern values. ?Hollywood has created a mental matrix system while not allowing audiences to develop their consciousness to a higher level. Stories are the key to the deepest recesses of the mind. With it you heal people, solve morale dilemmas, nurture a civilization and more! A good script can awaken fathoms of the mind more so than any great university. But we must take the art there.?
Mr. Armstrong has just completed his third screenplay entitled Master Killers. Writing is a long and arduous process from which he shows no signs of fatigue. As he states, ?I feel that America and the world are ready to see the truth. Through the genre of sci-fiction I feel I can broaden the spectrum on social and political issues in a manner that is not only creditable, but necessary for all to see. My only wish is to have the backing to write films, films without any restriction or distortion of truth.?
ronkarmstrong@rkacinemasociety.com
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