People look their best when they are acting naturally. By staying in the background, yet always there, I tend to go relatively unnoticed, but still get great footage. I am a minimalist when it comes to lighting and attracting attention. Most of my work relies only on ambient room lighting. Many photographers I work with have even commented on my ability to get great candid shots. These are the shots that really make a great video, people in real life, being who they really are. Most people are not actors, everyone looks best when you let them be themselves.

Good Camera Skills

This is the key to being a good videographer. To have a good video, you really have to display excellent camera skills and composition. This is the primary key to having a video that is dynamic, exciting, and realistic. My professional background consists of music, photojournalism, industrial photography, and television production. Now well into my second decade specializing in wedding, event, and corporate videography , you can be assured that I come with both the necessary experience and the appropriate background.

The internet and Bridal Magazines are literally full of new faces doing wedding video every year. However, their ads would make it look like they've been doing wedding videography for years. In case you're wondering, there are numerous images taken directly from tape on this site that are over ten years old!

Anyone who buys a camera and takes out an ad in a wedding magazine instantly considers themselves a wedding videographer. The same holds true for some photographers and other companies in the wedding industry that buy video equipment and hire weekend people to shoot video. Anyone can pick up a camera and point it and take a video. Unfortunately, the end results often look like it too!. Don?t be fooled by dazzling special effects and computer animation. Many people tout these capabilities in their advertising, but all of the effects usually seen in wedding video are usually just a substitute for good editing and the ability to build a story line.

State of the art equipment

I come to a job prepared for just about anything. This includes multiple cameras, an extra broadcast lens and 8 professional wireless microphone systems for capturing audio from all sources at both the ceremony and reception. I have the availability to record at least 6 channels of independent audio simultaneously.

I use the Sony DSR-390L, a completely digital camera shooting on the larger DVCAM digital format. It features three newly designed 1/2 in., 410,000-element Power HAD CCD imaging devices that provide an unbelievable picture quality with an unprecedented lowlight sensitivity of 0.4 lux minimum illumination - in other words, the camera will see in the dark. The major advantages I offer with this latest camera is that in many situations, absolutely no additional lighting other than normal room light is required. The camera sees what we see! This is a significant advantage when trying to maintain a low sense of visibility around guests.

By processing video signal data at three levels ? brightness, hue, and saturation ? the TruEye process assists in the reproduction of natural skin tones and basically sees what the human eye sees at any given light level.

Several fellow videographers in the area are using the Sony DSR-300, a fantastic camera also. It has the larger imaging devices, same audio capabilities and uses the larger DVCAM tape. Basically the only differences are minor and the new cameras will have a slight edge in low light performance.

Some videographers will use the Sony DSR 250 which is one in a class of stripped down cameras offered by most of the manufacturers geared specifically for the "wedding event market". This camera still offers a significant improvement over the older SVHS video cameras, but it only has small 1/3" imaging devices resulting in much less resolution and poor low light performance when compared to cameras with larger imaging devices.

The highest majority of typical wedding videographers use the smaller, much less expensive "handycam" style of video cameras. While these cameras do a nice job for their size and relatively low cost, they have very small 1/4" CCD imaging devices, offering relatively poor low light performance and less image quality. Other serious limitations are the lack of a professional lens, the ability to adjust exposures, and limited audio functions. These cameras do have their place. For situations where there is plenty of light, like a garden wedding or daylight situations, the picture is pretty good and their smaller size makes them easier to use over longer periods of time. I keep one in my collection to use when ever I feel that the lighting conditions and shooting situation is just right.

All editing is done on professional Media-100 systems and over 500 gigabytes of disk storage. This system allows editing at very high data rates for optimum picture quality. Don't let computer editing be confused with the idea of special effects and animations. I do not do the stereotypical wedding video with pictures popping out of hearts and tacky special effects. My work is clean and dramatic.

Video is mastered to DVD and backups are kept for a limited time on full sized DVCAM digital tape. We can still provide VHS to those clients who require it, but the cost of DVD players today can be well under $100.00 so it makes no sense to use tape.

Unless you choose wisely, your wedding video could be a haunting disappointment.

Remember, your videographer will be with you throughout your wedding day! Choose someone you feel confident will interact well with both you and your guests. You will find that your photo album and video will compliment each other. You should arrange to reserve your photographer and videographer as soon as you secure your reception site. Some dates can be in reservation over a year in advance. Seek out the highest quality and hire the best photographer and videographer that you can afford.

About The Author

Shawn Hickman

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